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SIMON FIELDHOUSE ARTIST
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NEW YORK ARCHITECTURE
CARNEGIE HALL West 57th Street at Seventh Avenue. Architects: William B. Tuthill, 1889-91; Office wing, William B. Tuthill 1892-95; Studio wing, Henry J. Hardenbergh, 1896-97. Carnegie Hall, one of America’s greatest concert halls, was built by Andrew Carnegie as part of his efforts towards the “improvement of mankind.” Known originally as the Music hall, The Carnegie Hall auditorium opened in 1891 with the American conducting debut of Tchaikovsky and since then has hosted many of the world’s leading musicians. The building, faced in Roman brick and terra cotta and designed in an Italian Renaissance-inspired style, was originally crowned by a mansard roof; this roof was replaced by a full top floor early in the 1890’s. The hall has two major additions: Tuthill’s office tower on West 56th Street and Hardenbergh’s studio tower on West 57th Street. Carnegie hall was saved from demolition in 1960 when it was purchased by the city; it was refurbished in 1981-90 by James Poleshek & Partners. More information on
Carnegie Hall
and Carnegie Hall -
Wikipedia
STEINWAY HALL
More information on
Steinway Hall New York ART STUDENT'S LEAGUE - NEW YORK (Formerly) AMERICAN FINE ARTS SOCIETY 215 West 57th Street. Architect Henry J. Hardenbergh, 1891-92
More information: Art Student's League Website
GUGGENHEIM MUSEUM 1071 Fifth Avenue. Architect: Frank Lloyd Wright, 1956-59 Established by Solomon R.
Guggenheim as a repository of non objective (i.e. abstract) art, the Guggenheim
Museum is housed in one of the most acclaimed buildings of the 20th
century. The museum is the major New York City work of the American master Frank
Lloyd Wright and is often considered to be the crowning achievement of his later
career. The building’s organic form, a reversed spiral, was intended as a
reflection of the natural shapes to be found across the street in Central park.
The interior, with its vast open space and spiralling cantilevered ramp,
punctuated by exhibition alcoves, is among Wright’s most spectacular. In the
basement is a circular auditorium also designed by the architect. In 1989-92 an
addition by Charles Gwathmey was constructed and Wright’s building was restored.
CARTIER'S - NEW YORK 651 Fifth Avenue at East 52nd Street. Architect Robert W. Gibson The Vanderbilts once ruled these Fifth Avenue blocks with three elaborate mansions on its west side. To insure that commerce wouldn’t intrude, William K. Vanderbilt sold the land at the corner of 52nd Street to fellow millionaire Morton F. Plant, with the stipulation that it be used for a residence for twenty-five years. After the Vanderbilts themselves moved on, Plant asked to have the covenant lifted. Instead, Vanderbilt bought the house for $1 million, much more than it was worth at the time, and rented it to Cartier’s for $50,000 a year, far and away the highest rent anywhere on Fifth Avenue. More information: Cartier's
PARAMOUNT BUILDING 1501 Broadway.
Architect: Rapp & Rapp (1926-27) More information: New York Architecture - Paramount Building
ANSONIA HOTEL 2101-2119 Broadway Architect: Paul E. M. DuBoy, 1899-1904 The largest and most
exuberant of the multiple dwellings in the Beaux-Arts style erected on the Upper
West Side, the Ansonia was built as an apartment hotel by W>E>D> Stokes, a major
developer in the area. Stokes advocated all-masonary fireproof construction,
including soundproof partitions between floors and apartments, a feature that
has attracted many distinguished musicians, singers and conductors.
1 West 72nd
Street Arichitects: Henry J Hardenbergh, 1880-84
THE DAILY NEWS BUILDING
Simpson, and has become renowned fur its punchy headlines that sum up the mood of the moment.Its circulation figures are still among the highest in the United States. Its headquarters, designed by Raymond Hood in 1930, has rows of brown and black brick alternating with windows to create a vertical effect. Hood’s lobby is familiar to many as that of the Daily Planet in the 19130s Superman movies. It includes the world’s largest interior globe, bronze lines on the floor indicate the direction of world cities and the position of the planets. Al night, the intricate detail over the front entrance of the building is lit from within by neon. The newspaper’s offices are now on West 33rd Street, and the future of the building is in some doubt.
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Email: Simon Fieldhouse All images on this website are Copyright to Simon Fieldhouse 2008 |